At my last count, Hilaire Belloc wrote 153 books. The business has to do with vigor, an enormous lust for life, and a willingness to make mistakes. Belloc did not give a damn for what anybody thought of him. He wrote his life of King James II in a hotel on the edge of the Sahara in ten days: “It is full of howlers and is the fruit of liberty.” He walked to Rome as a young man, coming in upon the Appian Way on a mule drawn cart — but with his feet dragging on the road so his vow would not be broken.
His vigor was legendary, and I have mentioned as well his lust for life. Belloc — and this is a key to understanding his role as a Catholic apologist — was a man totally at home in this world, but one who knew it was an illusion to be so at home. There was not a trace of Manicheanism in him, and he called puritanism, in his biography of Louis XIV, an “evil out of the pit”, meaning the pit of hell. A mountain climber, he was even more a sailor. His Hills and the Sea and The Cruise of the Nona are classics. If The Path to Rome is the work of a young genius, rollicking and rolling his way over mountain and valley toward the Eternal City, The Four Men, on the contrary, called by its author “A Farrago”, was penned in solitude mixed with melancholy. Grizzlebeard, the Poet, and the Sailor are all extensions of Myself, and Myself is Belloc. Only when life is lived close to the senses, when the intelligence is engaged immediately on what is yielded to man through the body, is the paradox of sadness in created beauty brought home in all its delicacy and inexorableness. Page after page of Belloc’s writing is troubled by a deep and troubled gravity, heightened by his profound communion with the things of his world: English inns; old oak‑burnished and sturdy; rich Burgundy and other wines” that port of theirs” at the “George” drunk by the fire with which he began this book; the sea and ships that sail — but, please, “no abomination of an engine”; the smell of the tides. These loves run through Belloc’s essays, recurring themes testifying to a vision movingly poetic in its classic simplicity. His eyes are fixed on the primal things that always nourished the human spirit, on the things at hand.
Frederick Wilhelmson - 'Hilaire Belloc: No Alienated Man, A Study in Christian Integration', published by Sheed and Ward in 1953